Dario Argento's Deep Red (1975) English w. Spanish Subs
Profondo Rosso. Akhmetov Ruslan. Loading. ScreenWeek TV | Trailer e News sui Film al Cinema , views · Play next; Play now.film the
Another Girl, Another Planet. Not since the great days of Michael Powell and Emeric Pressburger has there been such red! Strong, sharp, insistent, bright red, deeper than Profondo Rosso Dario Argento , But not a red that signifies one, dominant meaning or mood: lust or hysteria, danger or embarrassment, death or birth. The red of We Need to Talk About Kevin moves, mutates, jumps relentlessly from one scene to the next sometimes on a direct cut, sometimes not , pokes you in the eye every time as it shoots into the foreground of a shot or scene. Red is the de facto principal character of the movie: in tomatoes, paint, traffic lights, posters, police and ambulance vans. And it performs a wide range of actions: it pulses, stains, sticks, attacks, blinds ….
Topics: Horror, Profondo rosso, Movie Powder, avi. Digitizing sponsor: Movie Powder. A musician witnesses the murder of a famous psychic.
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Film Horror V. Regia di Dario Argento. Consigli per la visione di bambini e ragazzi: V. In una linda e un po' tetra vallata svizzera la piccola Jennifer, sonnambula e sensitiva, si trova alle prese con ributtanti cadaveri. Svizzera tedesca. Costui ha scoperto un metodo di studio degli insetti parassiti in grado di far risalire gli investigatori alla data della morte delle vittime. Dario Argento con Phenomena imprime al proprio modo di fare cinema un'accelerazione verso l'horror.
Profondo Rosso - Deep Red . Fan Film.
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The giallo trilogy has had an influence on horror films and murder mysteries made outside of Italy since the early seventies. The films are not connected to each other in any way and do not share characters or actors; the only connection they have is an animal in their title. The film was a box office smash and was widely imitated,  its success provoked a frenzy of Italian films with stylish, violent, and sexually provocative murder plots, Argento alone made three more in the next five years essentially cementing the genre in the public consciousness. In , director Michele Soavi wrote, "there's no doubt that it was Mario Bava who started the "spaghetti thrillers" [but] Argento gave them a great boost, a turning point, a new style Mario had grown old and Dario made it his own genre
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